My practice spans video, sculpture, drawing, and installation, exploring how time, memory, and identity are shaped by movement across spaces. Rather than treating time as a linear measure of productivity, I approach it as a cyclical and embodied experience, one that is formed through repetition, waiting, distance, and return.
My work often begins with moments of transition: moving between places, entering unfamiliar environments, or sensing that one’s relationship to a space has shifted. I am interested in how memory is triggered by fragments of architecture, color, texture, and bodily orientation, and how these fragments form unstable psychological maps. Through small-scale objects, drawings, and spatial arrangements, I create quiet environments where traces of experience appear, disappear, and reassemble.
Rather than presenting identity as fixed, my work considers the self as something continually shaped by movement, memory, and displacement. I linger in the tension between stability and instability, where boundaries remain open and belonging is felt as temporary, partial, and in flux.
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