Happy Birthday, Sweetie
Mylar, cardboard, wood, 78” x 78” x 48”, 2023
Two oversized party hats jut from the wall at eye level, turning a familiar symbol of celebration into something harder to approach. Their metallic surfaces catch the room through reflection and distortion, pulling the surrounding space into the work and making it difficult to ignore.

Ariana draws on pop culture, but not in a purely playful way. The sculptures carry a sense of violent playfulness: bright, festive, and visually seductive, yet also sharp, confrontational, and slightly absurd. This tension gives the work its force. What first appears humorous begins to feel charged with warning.

At the same time, the paired forms suggest a maternal protector, as if they are guarding the space around them. Yet that protection also reads as a threatening mass, turning sweetness into pressure and celebration into something uneasy.
The oversized party hats in their changed orientation play with a subversive pop culture. Thepoint of the party hats juts out directly at eye level making them almost violent in theirplayfulness. Their camouflaging, reflection and distortion blend the work to the space,making them incapable of dismissal. Maternal protector, threatening mass.
From the artist >
< From Rexhibit
Oversized   ✚
Oversized
Two oversized party hats jut from the wall at eye level, turning a familiar symbol of celebration into something harder to approach.
Reflection and Distortion   ✚
Reflection and Distortion
Their metallic surfaces catch the room through reflection and distortion, pulling the surrounding space into the work and making it difficult to ignore.
Pop culture   ✚
Pop culture
Ariana draws on pop culture, but not in a purely playful way.
Violent playfulness   ✚
Violent playfulness
The sculptures carry a sense of violent playfulness: bright, festive, and visually seductive, yet also sharp, confrontational, and slightly absurd.
Maternal protector   ✚
Maternal protector
At the same time, the paired forms suggest a maternal protector, as if they are guarding the space around them.
Threatening mass   ✚
Threatening mass
 Yet that protection also reads as a threatening mass, turning sweetness into pressure and celebration into something uneasy.

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Brooklyn, NY
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Happy Birthday, Sweetie
Mylar, cardboard, wood, 78” x 78” x 48”, 2023
From Rexhibit
Two oversized party hats jut from the wall at eye level, turning a familiar symbol of celebration into something harder to approach. Their metallic surfaces catch the room through reflection and distortion, pulling the surrounding space into the work and making it difficult to ignore.

Ariana draws on pop culture, but not in a purely playful way. The sculptures carry a sense of violent playfulness: bright, festive, and visually seductive, yet also sharp, confrontational, and slightly absurd. This tension gives the work its force. What first appears humorous begins to feel charged with warning.

At the same time, the paired forms suggest a maternal protector, as if they are guarding the space around them. Yet that protection also reads as a threatening mass, turning sweetness into pressure and celebration into something uneasy.
From the Artist
The oversized party hats in their changed orientation play with a subversive pop culture. Thepoint of the party hats juts out directly at eye level making them almost violent in theirplayfulness. Their camouflaging, reflection and distortion blend the work to the space,making them incapable of dismissal. Maternal protector, threatening mass.
Contact us
Newsletter
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
© 2026 Rexhibit. All rights reserved.