What I want to express in this work is the relationship between two or several generations. The plastic waste in the picture was produced in my family's factory. It was originally used to make ceilings, but due to technical reasons, it became fragile and twisted. With twisted forms, their only purpose is to be recycled into powder to continue to wait to be produced into ceilings or turned into scrap again. To a certain extent, it even possesses some characteristics of Baroque art - curves and swirling shapes, complex and changeable details, and asymmetrical shapes. They are the shapes of failure. This is the most elegant and gorgeous piece of trash I have ever seen. Now this was ten years ago, the factory has closed, the technology has become obsolete, and the current technology is already outdated. It has been upgraded and progressed, and it will no longer produce waste in this form. It only exists in my computer in the form of a photo, which is a bit metaphorical. comes from the name of Jacob Dylan's band, and even though I do not like his music, the name is poetic. It has a metaphorical meaning of being unsociable and shy. Because of the language barrier, now I only have a small social and emotional space, which can be seen from the distance between the still life and the wall. The work is a triptych. The acidic-colored stripes emulate the speed of traveling through space and the magic and confusion of imagination. They are influenced by movies 2001: A Space Odyssey and Interstellar. This is my imagination about ancient Chinese magic of teleportation..